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Post by stu77 on Apr 5, 2024 1:11:19 GMT
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Post by stu77 on Apr 8, 2024 0:23:57 GMT
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Post by jsm on Apr 10, 2024 5:35:42 GMT
365 RADIO : JUKEBOX JUDGEMENT SHOW : LIVE From Singapore 23.02.2024
I got this from presenter Dawn Parry who responded to a contribution I made to a blog about Singapore 60s music, but this is about contemporary Singapore music, some of it really good.
The format is Dawn plays new tracks by Singapore bands and then she gets her producer mates to give some constructive criticism. This is the interesting bit: Steve Lillywhite, Barry Upton, Craig Leon, Charles Foskett & David Gledhill Saint.
Recognise any of these names? Blondie, The Fall, Ramones, Talking Heads, The Lurkers, Ultravox and other stuff like Brotherhood of Man
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Post by stu77 on Apr 10, 2024 20:19:51 GMT
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Post by stu77 on Apr 16, 2024 21:24:10 GMT
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Post by stu77 on Apr 18, 2024 23:51:11 GMT
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Post by stu77 on Apr 23, 2024 20:37:41 GMT
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Post by stu77 on Apr 27, 2024 19:24:54 GMT
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Radio
Apr 28, 2024 13:31:35 GMT
Post by stu77 on Apr 28, 2024 13:31:35 GMT
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Post by stu77 on May 14, 2024 3:09:02 GMT
www.bbc.co.uk/programmes/m001z69fTeams and Regimes: Sportswashing in Football File on 4 Manchester City are dominating English football, with a trophy cabinet full of silverware. The club’s success has been bankrolled by money from Abu Dhabi. Now Newcastle United have followed in their wake, with backing from a Saudi consortium transforming a sleeping giant of English football into perhaps the world’s richest club. But with the money comes accusations that the clubs are being used to launder the reputations of repressive regimes accused of human rights abuses, and that the cash from the two oil rich states is being used to exert political influence locally and nationally in the UK.
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Post by Lord Emsworth on May 14, 2024 5:56:15 GMT
www.bbc.co.uk/programmes/m001z69fTeams and Regimes: Sportswashing in Football File on 4 Manchester City are dominating English football, with a trophy cabinet full of silverware. The club’s success has been bankrolled by money from Abu Dhabi. Now Newcastle United have followed in their wake, with backing from a Saudi consortium transforming a sleeping giant of English football into perhaps the world’s richest club. But with the money comes accusations that the clubs are being used to launder the reputations of repressive regimes accused of human rights abuses, and that the cash from the two oil rich states is being used to exert political influence locally and nationally in the UK. They'll probably go soft to avoid City's prodigous lawyers who have seen off UEFA and paralysed the FA (whilst Everton and Forest get hit) |
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Radio
May 25, 2024 14:24:41 GMT
via mobile
Post by stu77 on May 25, 2024 14:24:41 GMT
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Post by stu77 on May 26, 2024 23:49:18 GMT
www.bbc.co.uk/programmes/m001zlwgWatching Us, Watching You Archive on 4 Long before social media, reality TV and culture wars as entertainment, the BBC's Community Programme Unit - commissioned by David Attenborough - set out to create an ‘anthropology of everyday life’. Writer and broadcaster Ellen E Jones tells the story of the birth of a new generation of broadcasting. The CPU was a 40-year experiment in breaking down the barriers between the national broadcaster and the nation. It all started in 1972 with an Open Door, through which we were suddenly able to see ourselves very differently. There is one film from the CPU’s Open Door series that has lived on as a touchstone for understanding representations of race and racism on TV. It Ain't Half Racist, Mum was produced in 1979 and paired the revered cultural theorist Stuart Hall with actress Maggie Steed. Together they turned their attention to the casual prejudices which were part of the everyday media landscape. Ellen discusses its legacy with Maggie Steed and Dr Clive Chijioke Nwonka. By the mid-90s, times had changed for the Community Programme Unit and technology had too. There was still no social media, but there were camcorders - and that presented a great opportunity to liberate public access television from the stuffy studios and take it to the masses. It was time to meet the nation, on their own terms. Mandy Rose was the co-producer of Video Nation and she reveals how it changed her and paved the way for social media. Ellen travels to Arisaig in the West Highlands to talk with Ian MacKinnon, one of Video Nation’s most prolific contributors, about his films on everything from the meaning of life to The Full Monty. Now, 45 years on from It Ain't Half Racist, Mum and 30 years since filming began on Video Nation, Ellen revisits some of the most surprising and impactful contributions from this rich, accessible and underappreciated archive. She reassesses public access television as a tool for listening to the national mood and facilitating more nuanced discussions about the absurd, profound and divisive aspects of life.
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Post by Lord Emsworth on May 27, 2024 6:42:53 GMT
👆🏻that looks very promising
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Post by stu77 on Jun 7, 2024 17:42:26 GMT
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