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Post by Lord Emsworth on Dec 13, 2021 10:43:00 GMT
Anyone read Up Above the City, Down Beneath the Stars by Barry Adamson yet?
Or tempted?
A good friend of mine, whose judgement I trust, has just finished and urged me to read it
I should start it within a week
A member of seminal new-wave band Magazine, the original bassist in the legendary Nick Cave and the Bad Seeds, a Mercury-Prize-nominated solo artist, and pioneer of the imaginary soundtrack album—no matter where Barry Adamson’s career has taken him, the result has been consistently impressive. Covering his early life up to the 1990s, ‘The Barry Adamson Story’ addresses Adamson’s Mancunian and mixed-race roots, beginning in the late 1950s, through to the highs of his momentous musical achievements and the lows of psychiatric hospitals and drug rehabs. Using a ‘noir’ style of self examination, he also investigates the acute loss of his parents and sister in his early twenties, multiple failed relationships and arrives at the beginnings of a successful Hollywood soundtrack career.
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Post by Lord Emsworth on Dec 13, 2021 10:46:45 GMT
One five star customer review states....
As an obsessed fan of Magazine and a follower of BA’s work as a contributor to some of best music of the 1980s (Magazine, Devoto solo, Luxuria, Nick Cave and the Bad Seeds) I thought I knew a fair bit about Mr A. Little did I know. This book is a revelation: the candid & open no holds barred approach to storytelling, the elegant prose and engaging use of language. The phrase “page Turner” does not do this book justice.
Cannot wait for continuation of Barry's journey into his solo career and beyond.
Brilliant.
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Post by Lord Emsworth on Dec 13, 2021 11:28:47 GMT
MOJO'S review...
If Barry Adamson was simply known for his groundbreaking work as a founder member of Magazine, he would have had more than enough material for an autobiography. Yet he is also able to draw here on his time playing bass for Pete Shelley and for Iggy Pop, standing in for Tracey Pew in The Birthday Party and being a key member of The Bad Seeds during their first four albums. It’s such a rich seam that this book finishes in the late ’80s, just before the start of his varied career as a solo artist and movie soundtrack composer. To those achievements, he can add the writing of a compellingly honest and evocative memoir, giving equal weight to childhood experiences alongside subsequent band tensions and rivalries, all illuminated along the way by pin-sharp pop culture references. A nuanced and ultimately very positive meditation on illness, love, race, identity, loss, football, substance abuse and the transformative power of great music.
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