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Post by Lord Emsworth on May 31, 2023 8:04:10 GMT
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Post by Lord Emsworth on Jun 13, 2024 14:51:04 GMT
Imagine going to the club in 1970 to hang with your friends and a band you've never heard of called Kraftwerk is playing and they ruin your night by inventing techno music If that doesn’t work try this…. x.com/ZeroSuitCamus/status/1801119446909558958
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Post by wardance on Nov 10, 2024 21:18:59 GMT
Radio progs celebrating 50 years of Autobahn. Late Junction: www.bbc.co.uk/sounds/play/m002457z50 years after Kraftwerk's seminal album Autobahn was released, Jennifer Lucy Allen revisits the record and explores how it changed the dial on how we think about sound. We dig into the BBC archive for a live session from 1975 and hear an interview with drummer Wolfgang Flür, explaining how the band’s fascination with speed and cars shaped their perception of sound. Drilling down on the connection between Autobahn and Detroit, Drexciya’s DJ Stingray 313, talks about how the album influenced the city’s techno scene. Kraftwerk’s music chimed with those in Motor City, making it onto the club dance floors and across local radio. Kraftwerk’s vision of a mechanised, motorik future offered a sense of optimism in the rubble of postwar Germany. Similarly, the clean futurism of techno provided a window onto a brighter future in Detroit, a city hit hard by the decline of the car industry. Elsewhere, we play music for motorways with a track by Yeah You recorded in their car, cut up sounds from Le Cars and country music for roadside motels. Unclassified - Autobahn at 50: www.bbc.co.uk/sounds/play/m0024dmdReleased on 1 November 1974, Autobahn was the album that marked the moment when Kraftwerk fully embraced electronic pop music and honed the futuristic, mechanized aesthetic that would become famous. The record was an international success in spite of some decidedly mixed early reviews; and its influence has been felt across a wide variety of genres in the half century since. Herself a visitor of the band’s iconic Kling Klang studios in Düsseldorf, Elizabeth Alker considers Kraftwerk’s classical roots, placing the album in the context of Twentieth-Century German Classical Music (the musicians themselves have cited the expressionism of Schönberg and Stockhausen’s experiments with sound as key influences.) And, as can be heard in the iconic title track, which unfolds over twenty minutes, the band were borrowing from traditions of structuring music that harken back to older, classical forms, too (in the bringing back and development of themes). Elizabeth also plays contemporary tracks that share a musical kinship with Autobahn, and owe it too, perhaps, a debt of gratitude.
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Post by Lord Emsworth on Nov 11, 2024 9:34:16 GMT
Thanks wardance - look forward to those
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Post by stu77 on Nov 19, 2024 14:46:10 GMT
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Post by andyloneshark on Nov 19, 2024 19:47:53 GMT
Something i wrote on that subject today...
Like most Brit-Kidz of the 1970's, i first heard Kraftwerk when the single which edited Autobahn down from 22 minutes to 3 was released and was a hit in the spring of 1975. I had never heard anything like it, i don't think any of us kids had... unless you were cool and clued up on what was later called 'Krautrock' It was like Doctor Who music, set to a hypnotic electro beat. I was bought the album for my Birthday by my parents in the summer of 1975. I used to play it on my Dad's big stereo to my School mates and being auto nerds, we loved the passage of the song where the cars whizzed from one speaker to the other. 🚗 🎹 🚗
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Post by Lord Emsworth on Nov 19, 2024 20:20:16 GMT
It’s a great article and interesting to learn the critical reaction back then
I always loved the song but it was just another interesting pop tune of that era, like Silver Machine, This Town Ain’t…., etc
That stereo effect is great Andy 🔥
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